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[DC's CW] The Flash, Superman & Lois, Gotham Knights
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Bomba. Luke Cage e Ossos Cruzados estarão no Crise nas Infinitas Terras.
Ninguém sabe é se ela estará como Thunder.
Só verificar a página anterior.
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Fingindo que gosta da coisa.Direto do set do Crise.
Bloodstained
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Green Arrow and the Canaries – Filmagens do derivado de Arrow são iniciadas
A oitava temporada de Arrow já começou nos Estados Unidos, e logo logo Oliver Queen (Stephen Amell) irá se despedir das telinhas. Mas isso está longe de significar o fim do Arrowverso.
No mês passado, o canal CW divulgou que produziria uma nova série, que seria derivada de Arrow e focada na Canário Negro e outras vigilantes de Star City. Esta série, que deverá se chamar Green Arrow & The Canaries (“Arqueira Verde e as Canários”, em tradução livre), já teve suas filmagens iniciadas.
Em uma postagem em seu Twitter, a atriz Katherine McNamara, que vive Mia Smoak em Arrow, contou a novidade em primeira mão:
“Bom dia! Então, hoje é muito especial. É o primeiro dia de gravações do piloto de Arqueira Verde e as Canários, e é realmente empolgante. Eu realmente não sei o que vem por aí, mas o que quer que seja, vai ser bem badass. Então eu mal posso esperar pra compartilhar com todos vocês.”
A série derivada acompanhará as aventuras de Mia Smoak/Arqueira Verde (Katherine McNamara), Laurel Lance/Sereia Negra (Katie Cassidy) e Dinah Drake/Canário Negro (Juliana Harkavy), mas ainda não se sabe em que linha temporal ou Terra paralela a história irá se passar.
Fonte
A oitava temporada de Arrow já começou nos Estados Unidos, e logo logo Oliver Queen (Stephen Amell) irá se despedir das telinhas. Mas isso está longe de significar o fim do Arrowverso.
No mês passado, o canal CW divulgou que produziria uma nova série, que seria derivada de Arrow e focada na Canário Negro e outras vigilantes de Star City. Esta série, que deverá se chamar Green Arrow & The Canaries (“Arqueira Verde e as Canários”, em tradução livre), já teve suas filmagens iniciadas.
Em uma postagem em seu Twitter, a atriz Katherine McNamara, que vive Mia Smoak em Arrow, contou a novidade em primeira mão:
“Bom dia! Então, hoje é muito especial. É o primeiro dia de gravações do piloto de Arqueira Verde e as Canários, e é realmente empolgante. Eu realmente não sei o que vem por aí, mas o que quer que seja, vai ser bem badass. Então eu mal posso esperar pra compartilhar com todos vocês.”
A série derivada acompanhará as aventuras de Mia Smoak/Arqueira Verde (Katherine McNamara), Laurel Lance/Sereia Negra (Katie Cassidy) e Dinah Drake/Canário Negro (Juliana Harkavy), mas ainda não se sabe em que linha temporal ou Terra paralela a história irá se passar.
Fonte
Darkx1
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Quem, ele ou ela? Ou os dois?
Havokdan
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Atriz Ruby Rose que interpreta a Kate Kane/Batwoman é homossexual assumida faz décadas.
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David Ramsey (Diggle) falou:
"There’s a lot of stuff in the Diggle family that has to be worked out, in these 10 episodes, and will be," Ramsey said. "And ultimately, I think we have to find out what’s going on with Green Lantern. We’ve been teasing that since Season 2 or 3. It’s been a crazy amount of time, so we have to put a button on that, and from what I’m hearing, we will."
Pelo que li está para ser gravado o 10º e último episódio de Arrow então ele já sabe sobre esse lance de Lanterna Verde.
"There’s a lot of stuff in the Diggle family that has to be worked out, in these 10 episodes, and will be," Ramsey said. "And ultimately, I think we have to find out what’s going on with Green Lantern. We’ve been teasing that since Season 2 or 3. It’s been a crazy amount of time, so we have to put a button on that, and from what I’m hearing, we will."
Pelo que li está para ser gravado o 10º e último episódio de Arrow então ele já sabe sobre esse lance de Lanterna Verde.
Ela mesmo.
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Todo mundo x Anti-Monitor
#Superman #Supergirl #TheFlash #BlackCanary #Batwoman #AlexDanvers #MartianManhunter #Spartan #Dreamer #WildDog #WhiteCanary (not in shot) running towards the #AntiMonitor.
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Superman & Lois Series Featuring Tyler Hoechlin and Bitsie Tulloch In Development at The CW
By RUSS BURLINGAME - October 28, 2019 02:54 pm EDT
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The CW is developing a TV series starring Tyler Hoechlin and Bitsie Tulloch, TVLine reports. The pair will be one of two sets of Lois Lane and Clark Kent appearing in the upcoming "Crisis on Infinite Earths" crossover event, along with Smallville's Erica Durance and Tom Welling. The show, if it is picked up to series, will be the first Superman TV series since the end of Smallville, although Hoechlin has made sporadic appearances on The CW's Supergirl since that show's season two premiere (its first episode on the network after a first season at CBS). Tulloch's Lois debuted last year as part of the same "Elseworlds" crossover that gave us Ruby Rose's Batwoman.
Per TVLine's report, the series follows "the world’s most famous Super Hero and comic books’ most famous journalist" as they "deal with all the stress, pressures and complexities that come with being working parents in today’s society."
That presumably reveals that the child of Lois Lane and Clark Kent, established in last year's crossover, will play a key role in the upcoming series, so whatever else might happen during "Crisis on Infinite Earths," we can assume the baby will come through it okay. It also likely puts lie to the fan speculation that Hoechlin's Superman might sacrifice himself in order to save his cousin during the Crisis.
Before Smallville, the last time Superman had a TV show (and arguably the last time there was a real Superman show, since Smallville had the "no tights, no flights" rule) was Lois & Clark: The New Adventures of Superman. That series as originally conceived as even more Lois-centric than it ended up being, with a heavier focus on the Daily Planet than the final series had. A series tentatively titled Metropolis was originally in development for DC Universe. That series, which was cancelled around the same time Swamp Thing became a reality, would have centered on Lois Lane and Lex Luthor and dealt with how everyday humans lived and worked in a world where Superman existed.
Given the prevalence of the multiverse in the Arrowverse and the potential consequences of having "Crisis on Infinite Earths" realign some things -- a lot of fans are still hoping that it could bring Supergirl to Earth-1 -- it is worth noting that following the failure of DC's New 52 publishing experiment, which rebooted the DC Universe as younger characters with less baggage, a series titled Superman: Lois and Clark came out from Dan Jurgens and Lee Weeks, dealing with a version of Superman and Lois who had been secretly living on the rebooted Earth, married and with a baby, for years, quietly righting wrongs without letting the world know they were around.
Recent rumors have suggested that Henry Cavill is finished as Superman, and that it may be years before the character gets another theatrical film. Meanwhile, Supergirl is a character supposedly being floated as a potential replacement for the Man of Steel in the DC film universe. Superman & Lois would technically be a spinoff of Supergirl, following on the heels of Green Arrow and the Canaries, a new series spinning out of Arrow and starring Katherine McNamara as the titular Arrow.
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It is likely that fans will get more of a sense for what a Superman & Lois series might look like during "Crisis on Infinite Earths" in December.
By RUSS BURLINGAME - October 28, 2019 02:54 pm EDT
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The CW is developing a TV series starring Tyler Hoechlin and Bitsie Tulloch, TVLine reports. The pair will be one of two sets of Lois Lane and Clark Kent appearing in the upcoming "Crisis on Infinite Earths" crossover event, along with Smallville's Erica Durance and Tom Welling. The show, if it is picked up to series, will be the first Superman TV series since the end of Smallville, although Hoechlin has made sporadic appearances on The CW's Supergirl since that show's season two premiere (its first episode on the network after a first season at CBS). Tulloch's Lois debuted last year as part of the same "Elseworlds" crossover that gave us Ruby Rose's Batwoman.
Per TVLine's report, the series follows "the world’s most famous Super Hero and comic books’ most famous journalist" as they "deal with all the stress, pressures and complexities that come with being working parents in today’s society."
That presumably reveals that the child of Lois Lane and Clark Kent, established in last year's crossover, will play a key role in the upcoming series, so whatever else might happen during "Crisis on Infinite Earths," we can assume the baby will come through it okay. It also likely puts lie to the fan speculation that Hoechlin's Superman might sacrifice himself in order to save his cousin during the Crisis.
Before Smallville, the last time Superman had a TV show (and arguably the last time there was a real Superman show, since Smallville had the "no tights, no flights" rule) was Lois & Clark: The New Adventures of Superman. That series as originally conceived as even more Lois-centric than it ended up being, with a heavier focus on the Daily Planet than the final series had. A series tentatively titled Metropolis was originally in development for DC Universe. That series, which was cancelled around the same time Swamp Thing became a reality, would have centered on Lois Lane and Lex Luthor and dealt with how everyday humans lived and worked in a world where Superman existed.
Given the prevalence of the multiverse in the Arrowverse and the potential consequences of having "Crisis on Infinite Earths" realign some things -- a lot of fans are still hoping that it could bring Supergirl to Earth-1 -- it is worth noting that following the failure of DC's New 52 publishing experiment, which rebooted the DC Universe as younger characters with less baggage, a series titled Superman: Lois and Clark came out from Dan Jurgens and Lee Weeks, dealing with a version of Superman and Lois who had been secretly living on the rebooted Earth, married and with a baby, for years, quietly righting wrongs without letting the world know they were around.
Recent rumors have suggested that Henry Cavill is finished as Superman, and that it may be years before the character gets another theatrical film. Meanwhile, Supergirl is a character supposedly being floated as a potential replacement for the Man of Steel in the DC film universe. Superman & Lois would technically be a spinoff of Supergirl, following on the heels of Green Arrow and the Canaries, a new series spinning out of Arrow and starring Katherine McNamara as the titular Arrow.
2COMMENTS
It is likely that fans will get more of a sense for what a Superman & Lois series might look like during "Crisis on Infinite Earths" in December.
Bat Esponja
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Ótima notícia, pelo menos em seriado tem chance de o personagem ser melhor respeitado
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Não ligariam se encerrassem Supergirl e a deixasse aparecer como guest star.
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Agora com o novo serviço da HBO foram anunciadas uma série antológica da DC chamada Strange Adventures, uma cômica com adolescentes no universo da DC chamada DC Super Hero High e uma fodendo série dos Lanternas Verdes. O orçamento dos Lanternas será o maior entre os títulos da Warner e o maior já visto em séries da DC. Strange Adventures e Lanternas serão produzidas pelo monstro Greg Berlanti que produz todo o Arrowverso além de Titãs, Doom Patrol e tudo o que se pode imaginar.
Menino John Stewart Diggle, é com você?
Menino John Stewart Diggle, é com você?
ghfrc
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O cara é um monstro. Ele ainda produz séries como Blindspot, You, Riverdale e Sabrina e ainda produzirá a Katy Keene dentro desse universo.
Acho que são 21 séries ao mesmo tempo.
LuffyKurosaki
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Sim, eu estou atrasado na saga das séries da DC, já que espero pra ver na Netflix, como estou fazendo agora. Por isso que vem a pergunta....o crossover que fazem todo ano, o do ano passado, é obrigado a ver o episódio da Supergirl? É que eu larguei de acompanhar Supergirl, não aguentei mais, e estou na temporada 5 de The Flash, e na temporada 7 de Arrow.
ghfrc
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Sim. E n se preocupe. Episodios crossovers sawm bastante do foco das series em si então não é como se vc estivesse vendo supergirl mas Elseworlds msm. É meio que uma miniserie (ou um filme de 2 horas)
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Não.
As únicas relações diretas com a Crise são com o Monitor aparecendo para o Lex Luthor na temporada passada e que ele trouxe por algum motivo que ninguém ainda sabe o irmão do Caçador de Marte para a Terra e está sendo o vilão da temporada até a Crise.
ghfrc
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mas supergirl n teve o ep la do Oliver Flash na terra da supergirl e tals? Acho que faz parte de Elseworlds sim
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Elseworlds é outra coisa.
ghfrc
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ele disse crossover do ano passado, certeza ser Elseworlds onde teve presença da Supergirl. Quem ficou de fora foi Legends
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senryu
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Tentei ver pelo WB brasil mas...com horários irregulares não deu pra acompanhar as séries da Warner e to fazendo o mesmo que você!
Salvo HBO se não for "algo da moda" fica brabo de assistir uma série na Tv paga...(reprises irregulares, horários não cumpridos, se não fosse o "combo": jornal, documentários e esportes já tinha pulado fora da Tv fechada...)
Bem por aí mesmo é..."infelizmente" o elseworlds termina em supergirl...(e nesse ano não tem lendas no Crossover, aliás eles zoam isso no penúltimo episódio..., a ordem se quiser saber é Flash, Arrow e Supergirl)
Mas é bem fora da curva
Eu tenho opinião diferente...
Por exemplo você não é obrigado a ver "lendas da Bagunça" pra ver dois episódios que praticamente o Monitor só tá "observando"; num deles com direito a meme de pipoca (e to falando do ultimo episodio das lendas...).
Mas o Elseworlds é uma introdução pra crise! (assim o considero, pois diferente do monte de retcons pra nos quadrinhos da DC pra dizer que o monitor tava lá o tempo todo!?)
Aqui optaram por colocar ele "testando mundos" pra se preparar pra enfrentar o anti monitor.
E nesse teste ele nota algumas coisas no arqueiro (que se desenvolvem em arrow no fim da temporada)
E também se nota a natureza desse monitor mais...como um certo cara da Marvel com o nome começado com B (Beyonder...do tipo falo que não interfiro nos fatos, mas quando as coisas não saem como quero...aí eu me meto...)
Mas o Elseworlds é uma introdução pra crise! (assim o considero, pois diferente do monte de retcons pra nos quadrinhos da DC pra dizer que o monitor tava lá o tempo todo!?)
Aqui optaram por colocar ele "testando mundos" pra se preparar pra enfrentar o anti monitor.
E nesse teste ele nota algumas coisas no arqueiro (que se desenvolvem em arrow no fim da temporada)
E também se nota a natureza desse monitor mais...como um certo cara da Marvel com o nome começado com B (Beyonder...do tipo falo que não interfiro nos fatos, mas quando as coisas não saem como quero...aí eu me meto...)
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Sim, eu sei. O que quis dizer é que Elseworlds é obrigatório assistir porque é o que obrigatoriamente conecta à Crise. Isso independe de ter sido episódio de Supergirl, Arrow ou Flash.
Agora, nas temporadas correntes só mesmo Arrow e Flash que estão girando em torno disso, então por ora ninguém perderá muita coisa se não assistir a Supergirl, Legends of Tomorrow, Black Lightning ou Batwoman.
ghfrc
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ah sim na temporadas atuais
Eu tava focando so em elsewords msm ja que ele ta na Temporada passada ainda
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O último episódio de Arrow foi bem interessante e o final foi louco. Não esperava que aquilo ali fosse acontecer.
É como falei acima.
Como o colega não deseja assistir a Supergirl, então não sofrerá praticamente nada. Assistindo a Arrow e Flash ficará bastante por dentro do que está por vir. É óbvio que Elseworlds é obrigatório independentemente em que série se passou.
Achei até que iriam mostrar o Tigre de Bronze morrendo para o Diggle adotar o Connor Hawke mas acho que guardaram isso para depois.
Quero ver como o Connor mais velho falará para o Diggle que estava matando o Diggle Jr. Exterminador e brotou em 2019.
Quero ver como o Connor mais velho falará para o Diggle que estava matando o Diggle Jr. Exterminador e brotou em 2019.
É como falei acima.
Como o colega não deseja assistir a Supergirl, então não sofrerá praticamente nada. Assistindo a Arrow e Flash ficará bastante por dentro do que está por vir. É óbvio que Elseworlds é obrigatório independentemente em que série se passou.
Bloodstained
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Arrow – Mais um personagem importante retornará na última temporada da série
Arrow está se encaminhando para o final, já que os dias de Oliver Queen estão contados. Ainda assim, a série está se despedindo em grande estilo, com cada episódio homenageando uma das temporadas anteriores e diversos personagens voltando, como Moira Queen, Thea Queen, Tommy Merlyn, Roy Harper e Felicity Smoak.
Agora, de acordo com o Entertainment Weekly, outro retorno acaba de ser confirmado. Segundo o site, o astro Paul Blackthorne vai retornar na última temporada da série, reprisando seu papel como Quentin Lance, o pai de Sara e Laurel Lance. Na série, ele começou como um delegado da polícia de Star City, e acabou se tornando prefeito da cidade após a saída de Oliver Queen do cargo.
Ainda não sabemos de que forma o personagem vai aparecer, já que ele morreu na sexta temporada da série, após proteger a Laurel Lance da Terra-2 (também conhecida como Sereia Negra) de um tiro. É possível que essa versão que apareça na série seja de alguma terra alternativa, assim como foi com Tommy Merlyn e Moira Queen no primeiro episódio da temporada.
A oitava temporada de Arrow será também a última da série, se encaminhando para o sacrifício final do Arqueiro Verde. Os produtores estão preparando tudo em seu poder para fazer uma despedida digna para a série, incluindo o retorno de vários personagens. Sabemos que a trama vai acabar sendo o ponto de partida para o crossover deste ano, a Crise nas Infinitas Terras.
Fonte
Arrow está se encaminhando para o final, já que os dias de Oliver Queen estão contados. Ainda assim, a série está se despedindo em grande estilo, com cada episódio homenageando uma das temporadas anteriores e diversos personagens voltando, como Moira Queen, Thea Queen, Tommy Merlyn, Roy Harper e Felicity Smoak.
Agora, de acordo com o Entertainment Weekly, outro retorno acaba de ser confirmado. Segundo o site, o astro Paul Blackthorne vai retornar na última temporada da série, reprisando seu papel como Quentin Lance, o pai de Sara e Laurel Lance. Na série, ele começou como um delegado da polícia de Star City, e acabou se tornando prefeito da cidade após a saída de Oliver Queen do cargo.
Ainda não sabemos de que forma o personagem vai aparecer, já que ele morreu na sexta temporada da série, após proteger a Laurel Lance da Terra-2 (também conhecida como Sereia Negra) de um tiro. É possível que essa versão que apareça na série seja de alguma terra alternativa, assim como foi com Tommy Merlyn e Moira Queen no primeiro episódio da temporada.
A oitava temporada de Arrow será também a última da série, se encaminhando para o sacrifício final do Arqueiro Verde. Os produtores estão preparando tudo em seu poder para fazer uma despedida digna para a série, incluindo o retorno de vários personagens. Sabemos que a trama vai acabar sendo o ponto de partida para o crossover deste ano, a Crise nas Infinitas Terras.
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JJ é o novo Deathstroke. A Mia falou que se eles foram parar em 2019, então é possível que a gangue dos Exterminadores possam estar também.
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Ótimo texto em inglês
The CW's Crisis On Infinite Earths Is Something Only DC Could Do
By RUSS BURLINGAME - November 5, 2019 10:55 am EST
Given the monumental success of the Marvel Cinematic Universe, it is sometimes difficult to imagine that DC (or any other superhero universe, really) could do something that simply eludes Marvel’s grasp. The House of Ideas seems to have done everything, from aping the styles of spy thrillers and space operas to incorporating horror elements and time travel into the shared universe that has become their trademark in the last decade and change. In the last few weeks, though, The CW’s “Arrowverse” – the interconnected universe that links the network’s family of superhero shows – is doing something that only DC could manage: "Crisis on Infinite Earths."
Of course, we don’t mean literally Crisis itself. It goes without saying that only DC could adapt a DC story. Rather, the content of “Crisis on Infinite Earths,” and the way it interacts with DC’s history and with the fandom are something that are unique.
For anybody who doesn’t yet know, “Crisis on Infinite Earths” is this year’s Arrowverse crossover. In the five-part storyline, which will run through episodes of Batwoman, Supergirl, The Flash, Arrow, and DC’s Legends of Tomorrow, LaMonica Garrett’s character of The Monitor will return. Introduced during last year’s “Elseworlds” crossover, The Monitor is a nearly omniscient cosmic being, and he came around last year with bad news: a crisis is coming that he himself cannot stop. He has recruited Oliver Queen (Stephen Amell, Arrow), Barry Allen (Grant Gustin, The Flash), and who knows who else at this point to help him take on the Anti-Monitor (also played by Garrett), essentially The Monitor’s evil twin on a cosmic, genocidal scale.
The story in the comics was used to get rid of DC’s multiverse, which writer Marv Wolfman (side note: he is co-writing the Arrow episode of the crossover this year) believed was being misused at the time and dragging down stories. The infinite universes of DC’s multiverse were combined into a single timeline with a shared history, including the first incorporation of characters like Captain Marvel (Shazam) and the Charlton Comics characters (Blue Beetle, Captain Atom, etc.) – properties DC had bought form other publishers and had previously kept in their own universes. Along the way, there were a number of notable deaths from DC’s stable of character – but far and away the most notable were The Flash and Supergirl.
The Flash’s death in Crisis on Infinite Earths has been a long-dangling plot thread in the Arrowverse. The Flash’s pilot introduced the idea five years ago via a newspaper headline that suggested The Flash would vanish in 2024. Last year, The Flash’s daughter Nora (Jessica Parker Kennedy) traveled back in time to try to stop it, telling Barry that she grew up without a father because once he vanished he never reappeared. During the “Elseworlds” crossover, Oliver peeked inside of the Book of Destiny and learned that Barry and Kara were going to die in the Crisis, and confronted The Monitor, offering himself and his services up to save his friends. And something – it is not clear whether it is something Oliver did, something Nora did, or something either the Monitor or Anti-Monitor put into action – accelerated the events of Crisis so that now, Barry is supposed to vanish this winter.
Now, on The Flash we hear that Barry is doomed to die in "Crisis," while in Arrow we have been told it’s Oliver who will go. But even with the fates of two title leads hanging in the balance, the big thing that “Crisis” has been generating buzz about – and the thing that Marvel is currently not able to reproduce – is its cast.
In addition to dozens of actors from the Arrowverse shows, “Crisis on Infinite Earths” will bring Cress Williams’s Black Lightning to the Arrowverse. The only DC show that doesn’t film in Vancouver, Black Lightning has thus far been kept out of the annual crossover events. This season, that will end, and Jefferson Pierce will (if set photos are to be believed) meet with Barry Allen and two Supermen (Tyler Hoechlin from Supergirl and Brandon Routh from Superman Returns) on the bridge of the Waverider.
Routh’s Superman was never a part of the Arrowverse – in fact, it didn’t exist at the time. Superman Returns hit theaters in 2006, when Smallville was still on the air and Arrow wasn’t even a concept yet. While the movie is divisive, most fans now will accept that it was underrated at the time and that Routh’s performance is strong, hampered as he is by a mediocre script and a filmmaker who was determined to set his film in the world of Richard Donner’s Superman: The Movie rather than creating a new thing.
The arrival of Routh’s Superman – wearing the costume Superman debuted in the comic book Kingdom Come – marks the first time an actor who portrayed a big-screen, A-list superhero, reprised the role for the small screen. His Man of Steel will have to share the screen – and the title of Superman – with not just Hoechlin’s Superman but also Clark Kent as portrayed by Smallville’s Tom Welling.
Welling, of course, is the great white whale of the Arrowverse. Fans have begged for him to return as Superman since Arrow began, with some fans being upset that the show itself wasn’t a spinoff from Smallville starring Justin Hartley as Oliver. And while Hartley won’t be making an appearance, Erica Durance – the Lois to Welling’s Clark – will have what sounds like a pretty meaty role.
And the list goes on. Burt Ward will appear, likely tying the Crisis to the world of the 1966 Batman TV series. Ashley Scott will reprise her role from the short-lived Birds of Prey series, complete with bringing her own wardrobe that she actually wore on that show. Elements of Tim Burton’s Batman and the DC/Netflix collaboration Lucifer have been rumored to play a role, and John Wesley Shipp – the original version of The Flash from TV – will return as his version of Barry Allen again, repeating something he did in “Elseworlds.”
It’s this – the generations’ worth of heroes with their own distinct continuities, being brought together by a single, epic story – that could only happen here. Only DC could do this. Sure, Marvel has previous takes on Spider-Man and Captain America out there – and, hell, Sony even toyed with something similar with Spider-Man: Into the Spider-Verse – but the idea of bringing back actors with whom the audience already have a deep, emotional connection, reprising roles from years or decades ago, is something that really only works at DC. Prior to Blade, almost all of Marvel’s movie and TV projects were disappointments. Even those that weren’t, lacked the cultural cache of the Donner Superman movies or the Burton Batman.
At some point, both of those properties were considered the greatest comic book movie ever made – a title that the MCU has still yet to wrest from The Dark Knight and Logan in the wider discourse – and so the idea of having them appear in the Crisis, no matter how tangentially (the word is Robert Wuhl’s Alexander Knox will pop up, and of course Brandon Routh’s Superman is technically an extension of Reeve’s), inevitably makes the project feel epic. The idea of two generations of The Flash sharing the screen is nothing new, but having them do so alongside the multiple Supermen and at least one Bruce Wayne – Kevin Conroy from Batman: The Animated Series, no less! – feels exponentially bigger.
The episodic nature of TV also plays into this, and the fact that DC has had such a long history of success on the small screen. Yes, it’s exciting to see Routh’s Superman back and to imply a relationship to the Burtonverse – but nothing has compared to the enthusiasm fans have expressed when Smallville became part of the conversation. The amount of time audiences invest in television more closely approximates comics than anything that has happened on the big screen before the MCU – and even in the case of the MCU, it’s basically one long, ongoing story – whereas the Arrowverse has several long-running, interconnected stories weaving in and out of one another, but standing alone in a way that no single franchise of the MCU can without losing the “oomph” of Endgame.
The success of DC’s films – which stretch back forty years in the modern era and have a lot of emotional connection to the target audience – combined with the success of their small screen efforts over the last two decades and beyond make for an irresistible combination for "Crisis." It’s one that Marvel would struggle to replicate – but that’s not a slam on Marvel. There’s really nothing quite like what DC has, and the Crisis is utilizing a lot of it.
All of this plays into DC’s historical use of the multiverse in comics. While Marvel and other science-fiction properties have used it (and, again, it’s hard to knock what Spider-Man: Into the Spider-Verse did with the idea), DC has always used the multiverse differently than almost anyone. Multiple iterations of their superheroes are a big part of DC’s DNA and while in the post-Crisis era of the comics that became a discussion about legacy, in the pre-Crisis age it was almost always heroes from different Earths.
That plays into the bigger reason that the Arrowverse is special: its shepherds. Greg Berlanti and Marc Guggenheim have long been vocal fans of DC Comics, and as the Arrowverse has been developed, they have taken pains to bring in other producers and writers who have love for and understanding of the DC Universe, too. A non-stop parade of cameos would not be as special if that’s all it was; a functional understanding of what makes those cameos so special, what fans want to see, and how to make it all work as a story is something that Guggenheim and Berlanti bring to the table in a way that few others can do. Much has been made of the fact that DC’s film side has struggled from not having its own Kevin Feige – somebody who “gets” both the characters he is working with and the media in which he is working. Zack Snyder has strong technical skills as a filmmaker, but all of the heroes were viewed through his unique prism, whereas when Geoff Johns was briefly in charge, his understanding of the characters was unquestioned, but in terms of film...well…!
Could DC have done this without Berlanti and Guggenheim? Perhaps, but without those two, the Arrowverse would be a wildly different place to begin with…and maybe not one that would accommodate an idea as wild and ambitious as “Crisis on Infinite Earths.” After all, we got 40 years of DC movies and a decade-long, character-rich Smallville series before we ever got this deep into things. That makes it feel like "Crisis on Infinite Earths" is -- a bit like Avengers: Endgame -- a unique moment that is the culmination of years of storytelling. The difference is that the bits that build to "Crisis" were never meant to do so, and the idea of weaving them together after the fact and creating something exciting and enticing is a hell of a thing.
https://comicbook.com/dc/2019/11/05/crisis-on-infinite-earths-is-something-only-dc-could-do/
The CW's Crisis On Infinite Earths Is Something Only DC Could Do
By RUSS BURLINGAME - November 5, 2019 10:55 am EST
Given the monumental success of the Marvel Cinematic Universe, it is sometimes difficult to imagine that DC (or any other superhero universe, really) could do something that simply eludes Marvel’s grasp. The House of Ideas seems to have done everything, from aping the styles of spy thrillers and space operas to incorporating horror elements and time travel into the shared universe that has become their trademark in the last decade and change. In the last few weeks, though, The CW’s “Arrowverse” – the interconnected universe that links the network’s family of superhero shows – is doing something that only DC could manage: "Crisis on Infinite Earths."
Of course, we don’t mean literally Crisis itself. It goes without saying that only DC could adapt a DC story. Rather, the content of “Crisis on Infinite Earths,” and the way it interacts with DC’s history and with the fandom are something that are unique.
For anybody who doesn’t yet know, “Crisis on Infinite Earths” is this year’s Arrowverse crossover. In the five-part storyline, which will run through episodes of Batwoman, Supergirl, The Flash, Arrow, and DC’s Legends of Tomorrow, LaMonica Garrett’s character of The Monitor will return. Introduced during last year’s “Elseworlds” crossover, The Monitor is a nearly omniscient cosmic being, and he came around last year with bad news: a crisis is coming that he himself cannot stop. He has recruited Oliver Queen (Stephen Amell, Arrow), Barry Allen (Grant Gustin, The Flash), and who knows who else at this point to help him take on the Anti-Monitor (also played by Garrett), essentially The Monitor’s evil twin on a cosmic, genocidal scale.
The story in the comics was used to get rid of DC’s multiverse, which writer Marv Wolfman (side note: he is co-writing the Arrow episode of the crossover this year) believed was being misused at the time and dragging down stories. The infinite universes of DC’s multiverse were combined into a single timeline with a shared history, including the first incorporation of characters like Captain Marvel (Shazam) and the Charlton Comics characters (Blue Beetle, Captain Atom, etc.) – properties DC had bought form other publishers and had previously kept in their own universes. Along the way, there were a number of notable deaths from DC’s stable of character – but far and away the most notable were The Flash and Supergirl.
The Flash’s death in Crisis on Infinite Earths has been a long-dangling plot thread in the Arrowverse. The Flash’s pilot introduced the idea five years ago via a newspaper headline that suggested The Flash would vanish in 2024. Last year, The Flash’s daughter Nora (Jessica Parker Kennedy) traveled back in time to try to stop it, telling Barry that she grew up without a father because once he vanished he never reappeared. During the “Elseworlds” crossover, Oliver peeked inside of the Book of Destiny and learned that Barry and Kara were going to die in the Crisis, and confronted The Monitor, offering himself and his services up to save his friends. And something – it is not clear whether it is something Oliver did, something Nora did, or something either the Monitor or Anti-Monitor put into action – accelerated the events of Crisis so that now, Barry is supposed to vanish this winter.
Now, on The Flash we hear that Barry is doomed to die in "Crisis," while in Arrow we have been told it’s Oliver who will go. But even with the fates of two title leads hanging in the balance, the big thing that “Crisis” has been generating buzz about – and the thing that Marvel is currently not able to reproduce – is its cast.
In addition to dozens of actors from the Arrowverse shows, “Crisis on Infinite Earths” will bring Cress Williams’s Black Lightning to the Arrowverse. The only DC show that doesn’t film in Vancouver, Black Lightning has thus far been kept out of the annual crossover events. This season, that will end, and Jefferson Pierce will (if set photos are to be believed) meet with Barry Allen and two Supermen (Tyler Hoechlin from Supergirl and Brandon Routh from Superman Returns) on the bridge of the Waverider.
Routh’s Superman was never a part of the Arrowverse – in fact, it didn’t exist at the time. Superman Returns hit theaters in 2006, when Smallville was still on the air and Arrow wasn’t even a concept yet. While the movie is divisive, most fans now will accept that it was underrated at the time and that Routh’s performance is strong, hampered as he is by a mediocre script and a filmmaker who was determined to set his film in the world of Richard Donner’s Superman: The Movie rather than creating a new thing.
The arrival of Routh’s Superman – wearing the costume Superman debuted in the comic book Kingdom Come – marks the first time an actor who portrayed a big-screen, A-list superhero, reprised the role for the small screen. His Man of Steel will have to share the screen – and the title of Superman – with not just Hoechlin’s Superman but also Clark Kent as portrayed by Smallville’s Tom Welling.
Welling, of course, is the great white whale of the Arrowverse. Fans have begged for him to return as Superman since Arrow began, with some fans being upset that the show itself wasn’t a spinoff from Smallville starring Justin Hartley as Oliver. And while Hartley won’t be making an appearance, Erica Durance – the Lois to Welling’s Clark – will have what sounds like a pretty meaty role.
And the list goes on. Burt Ward will appear, likely tying the Crisis to the world of the 1966 Batman TV series. Ashley Scott will reprise her role from the short-lived Birds of Prey series, complete with bringing her own wardrobe that she actually wore on that show. Elements of Tim Burton’s Batman and the DC/Netflix collaboration Lucifer have been rumored to play a role, and John Wesley Shipp – the original version of The Flash from TV – will return as his version of Barry Allen again, repeating something he did in “Elseworlds.”
It’s this – the generations’ worth of heroes with their own distinct continuities, being brought together by a single, epic story – that could only happen here. Only DC could do this. Sure, Marvel has previous takes on Spider-Man and Captain America out there – and, hell, Sony even toyed with something similar with Spider-Man: Into the Spider-Verse – but the idea of bringing back actors with whom the audience already have a deep, emotional connection, reprising roles from years or decades ago, is something that really only works at DC. Prior to Blade, almost all of Marvel’s movie and TV projects were disappointments. Even those that weren’t, lacked the cultural cache of the Donner Superman movies or the Burton Batman.
At some point, both of those properties were considered the greatest comic book movie ever made – a title that the MCU has still yet to wrest from The Dark Knight and Logan in the wider discourse – and so the idea of having them appear in the Crisis, no matter how tangentially (the word is Robert Wuhl’s Alexander Knox will pop up, and of course Brandon Routh’s Superman is technically an extension of Reeve’s), inevitably makes the project feel epic. The idea of two generations of The Flash sharing the screen is nothing new, but having them do so alongside the multiple Supermen and at least one Bruce Wayne – Kevin Conroy from Batman: The Animated Series, no less! – feels exponentially bigger.
The episodic nature of TV also plays into this, and the fact that DC has had such a long history of success on the small screen. Yes, it’s exciting to see Routh’s Superman back and to imply a relationship to the Burtonverse – but nothing has compared to the enthusiasm fans have expressed when Smallville became part of the conversation. The amount of time audiences invest in television more closely approximates comics than anything that has happened on the big screen before the MCU – and even in the case of the MCU, it’s basically one long, ongoing story – whereas the Arrowverse has several long-running, interconnected stories weaving in and out of one another, but standing alone in a way that no single franchise of the MCU can without losing the “oomph” of Endgame.
The success of DC’s films – which stretch back forty years in the modern era and have a lot of emotional connection to the target audience – combined with the success of their small screen efforts over the last two decades and beyond make for an irresistible combination for "Crisis." It’s one that Marvel would struggle to replicate – but that’s not a slam on Marvel. There’s really nothing quite like what DC has, and the Crisis is utilizing a lot of it.
All of this plays into DC’s historical use of the multiverse in comics. While Marvel and other science-fiction properties have used it (and, again, it’s hard to knock what Spider-Man: Into the Spider-Verse did with the idea), DC has always used the multiverse differently than almost anyone. Multiple iterations of their superheroes are a big part of DC’s DNA and while in the post-Crisis era of the comics that became a discussion about legacy, in the pre-Crisis age it was almost always heroes from different Earths.
That plays into the bigger reason that the Arrowverse is special: its shepherds. Greg Berlanti and Marc Guggenheim have long been vocal fans of DC Comics, and as the Arrowverse has been developed, they have taken pains to bring in other producers and writers who have love for and understanding of the DC Universe, too. A non-stop parade of cameos would not be as special if that’s all it was; a functional understanding of what makes those cameos so special, what fans want to see, and how to make it all work as a story is something that Guggenheim and Berlanti bring to the table in a way that few others can do. Much has been made of the fact that DC’s film side has struggled from not having its own Kevin Feige – somebody who “gets” both the characters he is working with and the media in which he is working. Zack Snyder has strong technical skills as a filmmaker, but all of the heroes were viewed through his unique prism, whereas when Geoff Johns was briefly in charge, his understanding of the characters was unquestioned, but in terms of film...well…!
Could DC have done this without Berlanti and Guggenheim? Perhaps, but without those two, the Arrowverse would be a wildly different place to begin with…and maybe not one that would accommodate an idea as wild and ambitious as “Crisis on Infinite Earths.” After all, we got 40 years of DC movies and a decade-long, character-rich Smallville series before we ever got this deep into things. That makes it feel like "Crisis on Infinite Earths" is -- a bit like Avengers: Endgame -- a unique moment that is the culmination of years of storytelling. The difference is that the bits that build to "Crisis" were never meant to do so, and the idea of weaving them together after the fact and creating something exciting and enticing is a hell of a thing.
https://comicbook.com/dc/2019/11/05/crisis-on-infinite-earths-is-something-only-dc-could-do/
Bloodstained
Mil pontos, LOL!
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Arrow – Stephen Amell já filmou sua cena final ao lado de David Ramsey
Stephen Amell, estrela de Arrow, anunciou que terminou de filmar suas cenas para a série da CW, ao lado de seu “colega de crime” David Ramsey, intérprete de John Diggle.
Os personagens dos dois atores estão juntos desde o início do programa, lutando lado a lado. Ainda que algumas vezes suas diferenças os tenham colocado em conflito, Oliver e Diggle sempre foram amigos leais e parceiros para todas as horas. Saber que sua última cena juntos já foi filmada é emocionante para os fãs e também, é claro, para os atores.
No Twitter, Amell expressou seus sentimentos e anunciou que seu trabalho regular no programa havia terminado:
“Acabei de terminar minha cena final com David Ramsey. E assim… eu terminei com todas as cenas regulares do programa. P**a m****.”
Com a notícia de que Amell terminou de filmar suas cenas na série, é só uma questão de tempo até Arrow ter sua produção completamente finalizada.
Fonte
==================================================================================================
Stephen Amell, estrela de Arrow, anunciou que terminou de filmar suas cenas para a série da CW, ao lado de seu “colega de crime” David Ramsey, intérprete de John Diggle.
Os personagens dos dois atores estão juntos desde o início do programa, lutando lado a lado. Ainda que algumas vezes suas diferenças os tenham colocado em conflito, Oliver e Diggle sempre foram amigos leais e parceiros para todas as horas. Saber que sua última cena juntos já foi filmada é emocionante para os fãs e também, é claro, para os atores.
No Twitter, Amell expressou seus sentimentos e anunciou que seu trabalho regular no programa havia terminado:
“Acabei de terminar minha cena final com David Ramsey. E assim… eu terminei com todas as cenas regulares do programa. P**a m****.”
Com a notícia de que Amell terminou de filmar suas cenas na série, é só uma questão de tempo até Arrow ter sua produção completamente finalizada.
Fonte
==================================================================================================
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- 103.216
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- 172.414
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- 2.599
Arrow – Stephen Amell já filmou sua cena final ao lado de David Ramsey
Stephen Amell, estrela de Arrow, anunciou que terminou de filmar suas cenas para a série da CW, ao lado de seu “colega de crime” David Ramsey, intérprete de John Diggle.
Os personagens dos dois atores estão juntos desde o início do programa, lutando lado a lado. Ainda que algumas vezes suas diferenças os tenham colocado em conflito, Oliver e Diggle sempre foram amigos leais e parceiros para todas as horas. Saber que sua última cena juntos já foi filmada é emocionante para os fãs e também, é claro, para os atores.
No Twitter, Amell expressou seus sentimentos e anunciou que seu trabalho regular no programa havia terminado:
“Acabei de terminar minha cena final com David Ramsey. E assim… eu terminei com todas as cenas regulares do programa. P**a m****.”
Com a notícia de que Amell terminou de filmar suas cenas na série, é só uma questão de tempo até Arrow ter sua produção completamente finalizada.
Fonte
==================================================================================================
ghfrc
Bam-bam-bam
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Dwmorou mas consegui ver essa temporada. Comecei com Flash pra poder ver Arrow por último pq como dizem, deixem o melhor pro final...
E RAPAZ SEM PALAVRAS PRO MONITOR, EXCELWNTE PERSONAGEM
Estou amando Arrow, em 4 episódios expliraram tanta coisa, detalhes minimalistas como a mascara do Batman no lugar do Deathstroke e então o Capuz da Terra2 parece cita o Batman... BATMAN TREINOU O CAPUZ DA TERRA 2 E EU NEM ME TOQUEI QUE ERA O ADRIAN CHASE ATE LER COMENTÁRIOS. REFERENCIA MARAVILHOSA AOS 10 PASSOS A FRENTE
(So fica meio que a história do Robert como Arrow jogada pra trás ne)
Logo depois China com Katana mais linda que tudo e depois Nanda Parbat com uma Thea maravilhosa e sensata, uma grande personagem que sentia falta. Próximo episódio claro que a Rússia ne? Estão explorando ao máximo todas temporadas [strike] menos nosso amado Manu Bennet ne [/strike]
Os personagens do futuro estão muito bem também, Ollie reencontrando com William não tem preço
Enviado de meu LG-M700 usando o Tapatalk
E RAPAZ SEM PALAVRAS PRO MONITOR, EXCELWNTE PERSONAGEM
Estou amando Arrow, em 4 episódios expliraram tanta coisa, detalhes minimalistas como a mascara do Batman no lugar do Deathstroke e então o Capuz da Terra2 parece cita o Batman... BATMAN TREINOU O CAPUZ DA TERRA 2 E EU NEM ME TOQUEI QUE ERA O ADRIAN CHASE ATE LER COMENTÁRIOS. REFERENCIA MARAVILHOSA AOS 10 PASSOS A FRENTE
(So fica meio que a história do Robert como Arrow jogada pra trás ne)
Logo depois China com Katana mais linda que tudo e depois Nanda Parbat com uma Thea maravilhosa e sensata, uma grande personagem que sentia falta. Próximo episódio claro que a Rússia ne? Estão explorando ao máximo todas temporadas [strike] menos nosso amado Manu Bennet ne [/strike]
Os personagens do futuro estão muito bem também, Ollie reencontrando com William não tem preço
Enviado de meu LG-M700 usando o Tapatalk