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[Mídias] Quem lacra, não lucra.

Bloodstained

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É bem por aí... Eles podem mandar o consumidor se foder, mas quando a mesa vira e são os consumidores que mandam eles se foderem, ficam putassos. Podem morrer putos, no que depender de mim. :kclassic


BÔNUS


Seria pura zoeira, não fosse o fato da tal coloração realmente aparecer frequentemente nos jogos lacradores. Mensagem subliminar tão sutil quanto um elefante desgovernado numa loja de porcelanas.
 

Darth_Tyranus

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É v***ã0 meu filhão
É v***ã0 meu filhão
É v***ã0, mas que decepção


Visualizar anexo 390947
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Tina Ferrarista

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BÔNUS


Seria pura zoeira, não fosse o fato da tal coloração realmente aparecer frequentemente nos jogos lacradores. Mensagem subliminar tão sutil quanto um elefante desgovernado numa loja de porcelanas.

Você sabe o motivo de roxo ser escolhido, não é? Nós gamers, associamos com veneno, dano, toxicidade, mas por muito tempo roxo foi associado a realeza, já que era algo difícil de se obter, então tornava fácil distinguir estas pessoas da "prole".

Associe isto com o aumento dos valores dos jogos e o discurso do "este jogo não é para homens brancos" e digo que a mensagem subliminar é tão sutil quanto um elefante desgovernado com pisca-alertas no corpo numa loja de porcelanas com um microfone sônico ligado na caixa de som de um trio elétrico.
 

Darth_Tyranus

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Puro suco do esquerdismo :klolwtf


Depois de assistir esse vídeo eu percebi que essa obra na verdade é uma cópia de um filme do Bernardo Bertolucci chamado "Os Sonhadores" (2003). O roteiro é basicamente o mesmo, são três jovens trancados dentro de um apartamento durante o Maio de 1968 em Paris.



Sim, a Eva Green mostra até a b0ceta nesse filme. Procurem cal e cimento!
 

Bloodstained

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‘The Marvels’ Confirmed As Biggest Box Office Bomb Of 2023, Widely-Panned Sequel Resulted In $237 Million Loss For Disney


To the surprise of absolutely no one save the most die-hard and delusional of the franchise’s dwindling fanbase, the Marvel Cinematic Universe’s most recent entry, The Marvels, has been revealed to have been not only the worst performing film of 2023, but also a more than $200 million dollar sinkhole USD for the already-financially-embattered Disney.

This confirmation of the Marvel sequel’s crash landing was provided by Deadline‘s Anthony D’Alessandro as part of their Most Valuable Blockbuster tournament, an annual feature wherein the outlet compares the financial results of the previous years’ cinematic releases, as relayed to them “by seasoned and trusted sources,” to see which film was the best performing among audiences.

Sadly for Disney, in confirmation of just how far their quality has fallen, of the 15 films released by the House of Mouse and its subsidiaries – Ant-Man and the Wasp Quantumania, Chevalier, Guardians of the Galaxy Vol. 3, The Little Mermaid, The Boogeyman, Elemental, Indiana Jones and the Dial of Destiny, Theater Camp, Haunted Mansion, A Haunting in Venice, The Creator, The Marvels, Next Goal Wins, Wish, Poor Things (though they also released the indie film All of Us Strangers, it was only given a limited theatrical screening in just four theaters, and thus is not being formally counted in this analysis) – only one of them managed to place in the tournament’s top ten, with the third and final outing for James Gunn’s take on Marvel’s band of space-heroes-slash-bounty hunters coming in as the ninth most profitable film of the year.

Meanwhile, four of the above releases ended up placing in the tournament’s bottom five, with Haunted Mansion, Wish, Indiana Jones and the Dial of Destiny, Warner Bros. Discovery’s The Flash, and The Marvels walking away from the competition as ‘The Worst Performing Films of The Year’. To this end, while previous box office reports have confirmed that The Marvels was an absolute disaster for the studio – its theatrical run was the lowest performing of the entire franchise – it was not until Deadline spoke to their aforementioned sources that the true extent of the film’s failure was truly known.

Per Deadline, The Marvels pulled in a total of $218 million in revenue, with roughly $88 million of this pull coming from its theatrical ticket sales (a total reached after subtracting theater fees from its $206.1 millin world wide gross), $40 million from its home video sales, and $90 million from its various streaming releases.

However, in light of its expenses amounting to $455 million – $270 million from reported production costs, $110 million from print and advertising spending, $21 million from residuals and other distribution expenses, and $54 million from interest and overhead – the film ultimately cost the studio a net total of $237 million.

As for the other Disney films on Deadline’s bottom five, Haunted Mansion reportedly lost the company $117 million, Wish said ‘good-bye’ to $131 million, and Indiana Jones and the Dial of Destiny burned an impressive $143 million.

Suffice to say, unless a significant creative reboot is undertaken throughout all of Disney’s studios, the House of Mouse is unlikely to pull themselves out of this significant monetary hole any time soon. Unfortunately, given the recent rumors that Marvel’s upcoming X-Men reboot will focus on the team’s female members and that their Fantastic Four outing will gender swap the Silver Surfer, it looks like Disney is going to be on its financial backfoot for the foreseeable future.

Disney’s next release, Deadpool & Wolverine, is on track to portal its way into theaters on July 26th.


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Bloodstained

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Rumor: Despite Audiences Growing Tired Of ‘Girlboss’ Stories, Marvel Studios Still Wants Upcoming ‘X-Men’ Film Reboot To Focus On Female Mutants


In seemingly proving that the studio has learned nothing from their own failures, despite the ongoing rejection of the tired ‘girlboss’ narratives typical of recent media productions, a new rumor suggests that Marvel Studios is still hoping to center their upcoming X-Men film reboot on the team’s female members. Word of Marvel’s feminine creative intent for the MCU debut of their Merry Band of Mutants was first raised to the public by noted scooper Daniel ‘DanielRPK’ Richtman.

As recapped by numerous outlets including the @XMenReboot fan Twitter account, in a December 18th post shared to his personal Patreon account, Richtman alleged three new details regarding the X-Men’s next cinematic outing: that Mr. Sinister would serve as its main villain, that Magneto would be left out of its cast (an attempt to differentiate the MCU’s mutant films from the previous, Fox-helmed ones), and that the film’s plot would focus squarely on the various women who made up the ranks of the titular team.

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And though, as noted above, the months since his initial report have seen more and more audiences finding themselves rejecting such tired attempts at shoehorning in pop-feminist, ‘girl boss’ angles into their storytelling – for proof, look no further than the financial and reputational disasters that were Disney’s own The Marvels, She-Hulk: Attorney at Law and Indiana Jones and the Dial of Destiny – a recent update from Richtman suggests that Marvel is still moving forward with their ‘X-Women’ concept.

Taking to his aforementioned Patreon account in April 2024, as detailed by various media outlets including Marvel-centric Twitter news account Cosmic Marvel, Richtman posited that not only was the studio still intent on having the film focus on those mutants of the fairer sex, but that they now also wanted it to both introduce characters who hadn’t yet been in live-action as well as strike a thematic balance between drama and comedy.

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As of writing, neither Marvel Studios, Richtman, or any other scoopers have provided any hints or confirmation as to which female mutants may appear in the X-Men‘s next silver screen adventure.

However, given her establishment as the MCU’s first official mutant in the first season finale of her solo series, it’s more than likely that the Kamala Khan incarnation of Ms. Marvel, as portrayed by fan-favorite actress Iman Vellani, will make at least a cameo appearance in the film.

Further, in lending credence to Richtman’s scoops, it should be noted that Marvel Studios has a well-established history of undertaking such ham-fisted measures to bolster the franchise’s female representation, as evidenced by their well-established history of gender-swapping male characters – as seen with Ghost, Captain Mar-Vell, and Taskmaster – insulting said male characters – remember when Jane Foster was deemed a more capable wielder of Mjolnir than Thor himself in Thor: Love and Thunder – and forcing eye-rolling ‘girl power’ moments into their set pieces – as seen during the Battle of Earth in Avengers: Endgame.

At current, Marvel has yet to publicly provide any official information, including plot details, casting choices, and a potential release date, regarding their upcoming X-Men film.


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KlTKAT395

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já desisti a muito tempo de esperar que os produtos ocidentais abandonem a lacracao. obviamente o interesse politico é maior ate que os lucros, entao é uma guerra perdida. recomendo fazerem o mesmo.
 
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